mardi 31 août 2010
dimanche 29 août 2010
Su-preme from Wu Tang (MPC 2500)
Isaac Hayes tribute
Su-preme samples Isaac Hayes' Don't Let Me Be Lonely Tonight (http://www.deezer.com/listen-2600094).
5. Untitled video
Su-preme samples Isaac Hayes' Don't Let Me Be Lonely Tonight (http://www.deezer.com/listen-2600094).
(Sunz of man is crazy...)
6. Marry xmas
(Cool minimal Xmas beat)
13. SUPREME go's to church
13. SUPREME go's to church
dimanche 15 août 2010
Making a Dubstep Track in 7 days (Reason 4)
Great Reason tutorial on Boy in a Band.
Here are the 7 How-to videos :
Day 1: Making a Dubstep Beat
MClass Mastering suite and a 16:2 mixer.
Day 2: Making the Dubstep Beat More Interesting
Day 3: Making the Wobble Bass
Day 4: Making a Dubstep Lead and Bass note
Day 5: Arranging the Dubstep Song
Day 6: Bass Drops and Fills
Day 7: Mixing & Mastering and the final song
Here are the 7 How-to videos :
Day 1: Making a Dubstep Beat
MClass Mastering suite and a 16:2 mixer.
Tempo : 140bpm
ReDrum :
Two kicks, 2 Snares, a clap, a closed hat, an open hat and a ride.
32 steps.
“Shuffle” button on (to add in a nice swing which makes the change between the 16 and 17 kick drum hits).
Kick drums :
Same sample on 2 channels.
Channel 1 : reduce the length (so it’s a sharper hit with no tail end) + reduce the pitch and tone (so it’s much bassier, providing the meat of the kick sound, where channel 2 will provide the click).
Put C1 on the 1, 16, 17 and 21 steps.
Channel 2 : a bit quieter with a higher tone.
Put C2 on the 1 and 17 (to really emphasize the start of the bar).
Snares :
Channel 3 : punchy snare (with a lot of body).
Channel 4 : snappy (more high pitched snare).
Channel 5 : nice well-rounded clap (that’ll fill out the mid-hi end).
Put all three snares on the 9 and 25 steps (kinda bouncy beat).
Hi end :
Pattern 2 : a ride on every beat and an open hat on every offbeat.
Reason sequencer window :
Add some closed hats with triplets (1/3 intervals over a 4/4 beat, instead of one-two-three-four, it becomes one-two-three-one-two-three). Must stop using ReDrum sequencer and start with the Reason sequencer window (“Copy pattern to track”). Make sure you click the “Enable Pattern Section” button.
Select 1/16T. Putting hats on offbeats.
Right click ReDrum and create > MClass Equalizer to emphasize kick and snare. Hit the low shelf on and beef up the sound around 50hz by about 5dB.
Q (bandwidth) up to full so it affects a smaller area of the frequency spectrum, really emphasising that low end.
Next, hit param one or two, and boost around 1.5khz by about the same amount to really give your snare that crack that will pierce through the mix. Take down the Q (bandwidth) to about a quarter so this is spread more evenly over the snare sound.
Mixer :
Add RV7000 advanced reverb. Turn the aux 1 knob on your beat’s channel to about a quarter to give a bit of room to the effect.
Day 2: Making the Dubstep Beat More Interesting
Day 3: Making the Wobble Bass
Day 4: Making a Dubstep Lead and Bass note
Day 5: Arranging the Dubstep Song
Day 6: Bass Drops and Fills
Day 7: Mixing & Mastering and the final song
samedi 7 août 2010
Nomad Freestyle With Friends Vol 1 /// Live AKAI MPC 2500
I love 3:15...
Fine minimal and "aggressive sounding" production + fine freestyle...
Fine minimal and "aggressive sounding" production + fine freestyle...
Louis Den Beat Cypher (Jaisu, Stype...)
Louis Den Beat Cypher - ROUND 1
Louis Den Beat Cypher - ROUND 2
Louis Den Beat Cypher - ROUND 2
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